Wax Museum

Posted on April 24, 2014 by Allison Grayhurst

Wax Museum

God is your hobby:

My mouth inhales,

flushes you in.

Going to the wax museum to visit your sleeping body;

tonight with effort, tomorrow, with regret.

It is the end of a miracle, nevertheless,

I won’t forget the sirens, your steel throat

rusted with alcoholic burns

or the hooves and the poison,

how you tempted me to the maximum degree.

There is a sunset I am cupping in my hands,

it is turning dark blue like the colour

we both love

and I am staring into it like a poet mesmerized by the sea.

Farewell my pirate friend –

Live good,

conquer the pitiful sky in your dreams.

Every barrier is a mountain

challenging your devotion,

torturing your nights with its magnificent summit.

I drink like a root from the underground: I am not upset

though shadows are cleaving, swarming my soul.

I am only running,

and it’s a long way to paradise

even when you hurry.

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First published in “Poetry Halifax Dartmouth” 1991 under the pseudonym Jocelyn Kain (aka Allison Grayhurst) and in “Existere” under the pseudonym Jocelyn Kain (aka Allison Grayhurst)

Published in “Existere” 1991 under the pseudonym Jocelyn Kain (aka Allison Grayhurst)

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“Grayhurst’s rapturous outpouring of imagery makes her poems easily enjoyable … Like a sear the poet seeks to fathom sensual and spiritual experience through the images of a dream.” Canadian Literature

“Allison Grayhurst’s Common Dream is a massive book by a talented and enthusiastic young writer, with a feel for descriptive, meaningful verse. Philosophical and very deep,” Paul Rance, editor of Eastern Rainbow, U.K., spring 1993.

“Her poems read like the journal entries of a mystic – perhaps that what they are. They are abstract and vivid, like a dreamy manifestation of soul. This is the best way, in prose, one can describe the music which is … the poetry of Allison Grayhurst,” Blaise Wigglesworth Oh! Magazine

“Rich images and complex, shifting metaphors drive Allison Grayhurst’s poems. She focuses on sexual love and interior landscapes, widening to include the heart, eternity and all.” Next Exit