….
Paved paths, brisk
storm of senses, an old
opening, endless as a dug-in arrow –
head in the weeping jungle, the coolness
of autumn air brushing tombstones,
the thin necks of geese.
So much night in a single glass, body
and name together, replacing
existence with this inheritance and no other.
Rows of ships crowding the edge of the lake –
docked and bearing down for winter. The distance
grinds, gravel on my belly, cracked shells
in subterranean pages writing down dawns and victories
never experienced, only imagined.
Is it right to receive the bitter strawberry?
Drink its flesh like juice and
kneel before reality’s dictatorship?
Is it clarity? Or forgetting?
Copyright © by Allison Grayhurst 2014
amazon.com/author/allisongrayhurst
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First published in “The Muse – An International Journal of Poetry” Volume 4, Number 1, June Issue 2014
http://themuse.webs.com/June%202014/muse%20june%2014.pdf
http://themuse.webs.com/latestissues.htm
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You can listen to the poem below:
In response to the poem – Walkways:
“This is brilliant! Brilliant. Reminds me of when I first read Walt Whitman’s “Leaves of Grass”. And I wanted to stand up on the city bus and exclaim aloud: “Listen to this!” A comprehensive capturing of human earthly experience in all its dimensions without missing a beat – beyond the conscious mind – dancing with the levels of our knowing and sensing – that we feel but do not always recognize, and rarely, oh so rarely articulate. Clearly, Grayhurst’s poetic journey has taken her to the mountain top,” Taylor Jane Green, registered holistic talk therapist and author.
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Reblogged this on MrMilitantNegro™.
This is brilliant! Brilliant. Reminds me of when I first read Walt Whitman’s “Leaves of Grass”. And I wanted to stand up on the city bus and exclaim aloud: “Listen to this!” A comprehensive capturing of human earthly experience in all it’s dimensions without missing a beat – beyond the conscious mind – dancing with the levels of our knowing and sensing – that we feel but do not always recognize, and rarely, oh so rarely articulate. Clearly, Grayhurst’s poetic journey has taken her to the mountain top.
“Paved paths, brisk
storm of senses, an old
opening, endless as a dug-in arrow –
head in the weeping jungle, the coolness
of autumn air brushing tombstones,
the thin necks of geese.
So much night in a single glass, body
and name together, replacing
existence with this inheritance and no other.
Rows of ships crowding the edge of the lake –
docked and bearing down for winter. The distance
grinds, gravel on my belly, cracked shells
in subterranean pages writing down dawns and victories
never experienced, only imagined.
Is it right to receive the bitter strawberry?
Drink its flesh like juice and
kneel before reality’s dictatorship?
Is it clarity? Or forgetting?”