Grazing on the flow

Grazing on the flow

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        Devouring permanence,

feeling victory, our vanity

disintegrating like my grandfather’s did

travelling on eastern train tracks, king of his meadow.

        The passage between structure and collapse carries us,

is the flowing force that pierces oblivion – a drink

of clean water, a seductive neck pulse courting emergence.

        I know we have hit bottom, but

we keep sinking like thorns into flesh,

like dew into the puny pores of a leaf.

        Between us is the vantage point, where we see

angels contemplating on dead planets, using those planets

to echo their private songs,

swelling and sobbing, gathering rocks

to remain heavy enough not to float back

into the mouth of God.  

          Entropy is a shattered equation. The moon creaks

 and splits, absorbing humanity’s disappointment.

Our gifts rise up mute – balloons let loose on a drizzling day.

         I love you under water where I like looking

into your eyes. I love what is between us when truth does not torment,

when I imagine our paths like my grandfather’s

when he rode, relinquishing status, etching out his destiny

on a brokendown caboose, offering jewels of coal.

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Copyright 2012 by Allison Grayhurst

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First published in “The Milo Review”, Volume 1, Issue 2, Fall 2013

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Milo review2 The Milo Review 1 The Milo Review 2   The Milo Review- Grazing on the flow 1 The Milo Review- Grazing on the flow 2

 

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“Allison’s poetic prose is insightful, enwrapping, illuminating and brutally truthful. It probes the nature of the human spirit, relationships, spirituality and God. It is sung as the clearest song is sung within a cathedral by choir. It is whispered as faintly as a heartbroken goodbye. It is alive with the life of a thousand birds in flight within the first glint of morning sun. It is as solemn as the sad-sung ballad of a noble death. Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry,”  Eric M. Vogt, poet and author.

“Grayhurst is a great Canadian poet. All of Allison Grayhurst’s poetry is original, sometimes startling, and more often than not, powerful. Anyone who loves modern poetry that does not follow the common path will find Grayhurst complex, insightful, and as good a poet as anyone writing in the world today. Grayhurst’s poetry volumes are highly, highly recommended,” Tom Davis, poet, novelist and educator.

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If it is empty then it is empty

If it is empty then it is empty

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        Perishing like wasps in wet tar,

we can’t claim an answer

but only wear our raincoats,

acting out past wounds, meditating

by watergardens where amphibians breed,

owners of the pond.

        Perishing enough to create parables

to be sold to our advantage,

holding hands in the summer or after a bath.

We look through windows, keeping

vigil with homebound strangers, unlocking cupboards,

storing gifts on laundryroom shelves.

We welcome the red squirrel, make love

most afternoons, tie-dye our t-shirts.

burning colours hotter at the edges.

        We meet old mentors perishing,

drunk and mutated, mentors who taught us

to read the lines in our palms, how to find music underwater,

poetry under siege, sometimes showing us

the pitter-patter pace of caterpillars on a damp park lawn.

        Depths pushing out like a well-nourished womb,

depths we perish in, drained of desire,

listless in the light. Don’t bother complaining,

we were made to perish, grow a revolutionary peace

in the crisp leaves of burnt sage, discover mercy

in a backwards fall.

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Copyright © 2013 by Allison Grayhurst

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No Raft - No Ocean

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First published in “Kritya”, 2013

Kritya 1 Kritya 2 Kritya 3

http://www.kritya.in/0808/En/poetry_at_our_time 4.html

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if it is empty

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Scars writingScars If it is empty 1 Scars If it is empty 2

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You can listen to the poem by clicking below:

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“Allison’s poetic prose is insightful, enwrapping, illuminating and brutally truthful. It probes the nature of the human spirit, relationships, spirituality and God. It is sung as the clearest song is sung within a cathedral by choir. It is whispered as faintly as a heartbroken goodbye. It is alive with the life of a thousand birds in flight within the first glint of morning sun. It is as solemn as the sad-sung ballad of a noble death. Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry,”  Eric M. Vogt, poet and author.

“Grayhurst is a great Canadian poet. All of Allison Grayhurst’s poetry is original, sometimes startling, and more often than not, powerful. Anyone who loves modern poetry that does not follow the common path will find Grayhurst complex, insightful, and as good a poet as anyone writing in the world today. Grayhurst’s poetry volumes are highly, highly recommended,” Tom Davis, poet, novelist and educator.

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Sanctum

Sanctum

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        Cedar wood, dark spaces under wood

where beetles mate then hide their own. There,

you smile, your forehead groomed

of false expression. I study you like my one-chance solution,

or steps to take to shield me from this penetrating boredom

that slips unwanted under my heavy housecoat.

        Narwhales shaped like epigrams, like the undecipherable

complexities in the creases of your folded hands.

        You are taut as a sail in a strong wind, capable of

unmatched speed, stretched, though not even

close to ripping.

 

If you were a tree, 100 years and on, pulling sunlight

from its throne, shimmering green, a stronger brilliance

than a vault brimming with polished gold,

still you could not be better than what you are –

        sitting close to the corner, on the couch,

unwashed hair and an irritated mouth,

reluctantly waking into the noon-light, drinking coffee,

salted, sometimes sorrowful, mostly spring-time budding –

a supplier of oxygen, maker of songs received

as storm-sturdy harbours, worlds to land on,

dig or nest or claim a hole, many branches,

many escape routes, many life-saving homes.

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.Copyright  © 2012 by Allison Grayhurst

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First published in “Cartagena Journal Issue 3”

Cartagena 1Cartagena 2Cartagena 3Cartagena 4Cartagena 5Cartagena 6Cartagena 7

Cartagena 8

http://cartagenajournal.com/2014/08/10/summer2014-grayhurst/

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You can listen to the poem by clicking below:

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“Allison’s poetic prose is insightful, enwrapping, illuminating and brutally truthful. It probes the nature of the human spirit, relationships, spirituality and God. It is sung as the clearest song is sung within a cathedral by choir. It is whispered as faintly as a heartbroken goodbye. It is alive with the life of a thousand birds in flight within the first glint of morning sun. It is as solemn as the sad-sung ballad of a noble death. Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry,”  Eric M. Vogt, poet and author.

“Grayhurst is a great Canadian poet. All of Allison Grayhurst’s poetry is original, sometimes startling, and more often than not, powerful. Anyone who loves modern poetry that does not follow the common path will find Grayhurst complex, insightful, and as good a poet as anyone writing in the world today. Grayhurst’s poetry volumes are highly, highly recommended,” Tom Davis, poet, novelist and educator.
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