The bough breaks

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The bough breaks

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and dreams collapse uncushioned

like the smile that forsakes me

and the wonderful illusion of things past

but never lost.

For here I cut my antennae down

and kiss the pyramid on my grass,

blessed by the end result

but never by the happening:

I know the world

and it needs forgiveness.

For here the smell grew toxic

and the glass filled to overflowing,

but the grime inside never got better,

though polished every day.

For here I cradle my body to sleep,

the long way down is the only way down

and we are sold by the scars upon our throat,

by the longing discarded that never knew it

could end

and by the only relationship we are all

bound to have – our stronghold with or

not with

          God.

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Copyright © 2006 by Allison Grayhurst

3010

amazon.com/author/allisongrayhurst

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First published in “Crack the Spine”issue 64, and “Crack The Spine Summer 2013 anthology” under the title “For Here”

http://www.crackthespine.com/2013/09/summer-2013-anthology.html

http://www.crackthespine.com/2013/05/issue-sixty-four-contributors.html#more

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You can listen to the poem by clicking below:

https://allisongrayhurst.com/wp-content/uploads/2013/09/the-bough-breaks-2.m4a?_=1

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“Allison Grayhurst intertwines a potent spirituality throughout her work so that each poem is not simply a statement or observation, but a revelation that demands the reader’s personal involvement. Grayhurst’s poetic genius is profound and evident. Her voice is uniquely authentic, undeniable in its dignified vulnerability as it is in its significance,” Kyp Harness, singer/songwriter, author.

“Allison Grayhurst’s poems are like cathedrals witnessing and articulating in unflinching graphic detail the gritty angst and grief of life, while taking it to rare clarity, calm and comfort. Grayhurst’s work is haunting, majestic and cleansing, often leaving one breathless in the wake of its intelligence, hope, faith and love amidst the muck of life. Many of Allison Grayhurst’s poems are simply masterpieces. Grayhurst’s poetry is a lighthouse of intelligent honour… indeed, intelligence rips through her work like white water,” Taylor Jane Green, Registered Spiritual Psychotherapist and author.

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4 responses to “The bough breaks

  1. davidstrachan611 – Scotland – That's me being hauled up the stony path of reality against my will and that's me too, boat against the current, on the Seine, with the love of my life (but not me of hers alas alas). That's me. And that's me walking on water. Likes? Dislikes? I have always liked Andrew Wyeth, Hopper, Kafka, Anthony Gormley, Beethoven's Late Quartets, the Brontes, Eric Cantona, both Richard Burtons, Tracey Solomon, Brel, Jane Austen, Cartier-Bresson, Glendronach, Highland Park, though not necessarily in that order. I find Rob Bryden Steve Coogan Ricky Gervais Russel Brand Larry David Garry Shandling very funny - La Strada is still my favourite film, Empire of the Sun also - Pity about Woody Allen. J.D. Salinger's short stories still impress - 'Just before the war with the Eskimos' -great title! Peter Cameron's 'One Way or Another' I've reread and reread. And Eleanor Bron's 'Life and Other Punctures' is again one of the books I still reread with constant affection. And Chekhov. And Kafka. And Carver.. Politically I like Cesar Manrique, the polymath caring creator of Lanzarote sadly killed in a car crash on the roundabout a mile from his specatacular lava-bubble home.I used to be revolutionary now I' more evolutionary. Didn't like Blair, changed my mind about Maggie Thatcher, despair of Scottish football and Scottish politics.. One day I'll fly away.... it says below: 'Tell people a little about yourself'....has this little been enough? Too much? Tell me a little about yourself - or a lot...... )
    davidstrachan611 says:

    There’s a painting by Peter Doig called ‘Pelican’ which he’d painted from seeing a man catching a Pelican at sea and the man giving him a stare as he passed holding the Pelican out of sight – and this narrative you know because he wrote it all down but there is no trace of the Pelican in his painting and it doesn’t need the narrative to explain its effect.

  2. A fine end to this poem, although God has become all part of yesterdays furnishings, as I believe God transcribed by various authorities, is not to be confused with what God is to the individuals own interpretation of existence.

  3. A classic. Words that tingle and weave a depth story. Brilliant.

    “and we are sold by the scars upon our throat,

    by the longing discarded that never knew it

    could end

    and by the only relationship we are all

    bound to have – our stronghold with or

    not with

    God.”

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