Edified

 

Edified

 .

    Was I bound by the artificial?

Driftwood down an interceding flow?

Horse stance, back muscles rolling, lines of twine,

and fishing. I will not fish or tighten my spinal cord

for the appearance of strength.

I will not bask relaxed in hot spring nobility or lick the nose

of prey I someday plan to devour.

Was I combined or conditioned

to make a unified shape?

    Loudly, my name was spoken. It was God, I am

sure of that. And it was angry, pressing, urging me

to wake and take nothing lightly or so hard.

It was the second time

at the time of 2:30 a.m., when my bed flushed with instant

rigidity, lifting me with dominance

from the gardens of my despair.

    It was spoken as a permit to build, to trap the past inside

the future – not as vintage romanticism, but for the sake

of journeying onward, to be integrated

with what must be re-owned, absolved by the fact

that nothing can escape the impact of eternity. I was shown

that the igloo mansions I once erected,

featuring such elaborate depictions,

cerebral justifications of indignant loneliness,

were natural and could not be dismantled.

    I heard my name spoken, calling me to dart alert

from a shrinking sleep, to walk the hallway, carve

myself an inclusive center, to answer boldly,

unconditionally step

into the dictates of a personal command.

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Copyright © 2012 by Allison Grayhurst

3021

amazon.com/author/allisongrayhurst

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First published in “New Binary Press Anthology”, 2012

 

http://newbinarypress.com/product/the-new-binary-press-anthology-of-poetry-volume-i/#

http://www.amazon.com/The-Binary-Press-Anthology-Poetry/dp/0957466102/ref=sr_1_1?ie=UTF8&qid=1383226605&sr=8-1&keywords=new+binary+press

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Click to access 20151023No_Raft_No_Ocean_by_Allison_Grayhurst.pdf

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http://scars.tv/cgi-bin/framesmain.pl?writers

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You can listen to the poem by clicking below:

  .

The door is

 

The door is

 .

The door is the light,

is the beat that hums through

my body. I cannot find its source

or grasp its inspiration.

I can only vaguely feel that it is not dead,

that it is thin and thinning.

The light is the door I cannot mend

or reach for under that canopy when the storm has hit

full force, and the hammer

drives down.

The light is the door

that has no lovers. It is a psalm,

a one-way ticket to wage a life on.

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Copyright © 2010 by Allison Grayhurst

amazon.com/author/allisongrayhurst

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First published in “Kalkion”, 2012

http://www.kalkion.com/poetry/2068/door

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You can listen to the poem by clicking below:

https://allisongrayhurst.com/wp-content/uploads/2012/07/the-door-is1.m4a?_=2

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Preparing

Preparing

.

I go to the crosswalk

and leave my bread crumbs on the other side.

I am waiting for motivation, for a clarity of purpose

that I once owned like a beautiful stone

I sunk under the St. Lawrence rapids. When I was a child,

I watched those rapids without fear,

stood close to the edge and never wondered

about the slippery underfoot,

never worried about the shadflies arriving like a plague of river insects

or about my loneliness that turned into a ghost companion

comforting me in those grey Quebec afternoons.

But here, in this riverless realm,

I cannot place my hands down. I cannot stretch wide enough

to feel whole. I go to the corner store and hear answers that only I

and the birds

can hear.

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Copyright © 2011 by Allison Grayhurst

amazon.com/author/allisongrayhurst

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First published in “Gloom Cupboard”, 2013

http://gloomcupboard.com/2011/11/17/poetry-139/

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You can listen to the poem by clicking below:

https://allisongrayhurst.com/wp-content/uploads/2013/03/preparing.m4a?_=3

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