.
Attached
.
Ride on, suddenly departing
like a magician – basking on
the threshold where you kneel and spill
your secrets into the mud.
You should have stopped, before your body
grew in stress and your mask like pale lips turned
greyer, unintentionally drained.
But on you went, instead of speaking, you ran
forward, smelling of silence, intoxicated with danger,
flaming high with your own deceit – a vibration
to reckon with – your regret finally torn
like the inside of a coffin
from hands that refuse defeat.
I was behind you, always facing your back.
You painted yourself a target and drew me a lie. We all
lie, you said. You promised me nothing but the shallow rush
of living in your glorious and destructive
wake.
.
.
Copyright © 2012 by Allison Grayhurst
amazon.com/author/allisongrayhurst
.
.
First published in “Your One Phone Call” July 2015
.
You can listen to the poem by clicking below:
.
“Allison Grayhurst intertwines a potent spirituality throughout her work so that each poem is not simply a statement or observation, but a revelation that demands the reader’s personal involvement. Grayhurst’s poetic genius is profound and evident. Her voice is uniquely authentic, undeniable in its dignified vulnerability as it is in its significance,” Kyp Harness, singer/songwriter, author.
“Allison Grayhurst’s poems are like cathedrals witnessing and articulating in unflinching graphic detail the gritty angst and grief of life, while taking it to rare clarity, calm and comfort. Grayhurst’s work is haunting, majestic and cleansing, often leaving one breathless in the wake of its intelligence, hope, faith and love amidst the muck of life. Many of Allison Grayhurst’s poems are simply masterpieces. Grayhurst’s poetry is a lighthouse of intelligent honour… indeed, intelligence rips through her work like white water,” Taylor Jane Green, Registered Spiritual Psychotherapist and author.
.
Book reviews of the River is Blind paperback:
“Throughout (The River is Blind), she (Allison Grayhurst) employs
reiterated tropes of swallowing and being consumed, spatial fullness
and emptiness, shut- in, caverns, chasms, cavities; angels, archangels,
blasphemy, psalms; satiation or starved. With a conceit of unrequited sex as “my desire”, nocturnal emissions, awakening in the morning, the poet lives at capacity, uninhibited, dancing,” Anne Burke, poet, regional representative for Alberta on the League of Canadian Poets’ Council, and chair of the Feminist Caucus.
.
“Allison’s poetic prose is insightful, enwrapping, illuminating and brutally truthful. It probes the nature of the human spirit, relationships, spirituality and God. It is sung as the clearest song is sung within a cathedral by choir. It is whispered as faintly as a heartbroken goodbye. It is alive with the life of a thousand birds in flight within the first glint of morning sun. It is as solemn as the sad-sung ballad of a noble death. Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry. THE RIVER IS BLIND is a must-read,” Eric M. Vogt, poet and author.
.
.
Reblogged this on The Militant Negro™.