“Her poems read like the journal entries of a mystic – perhaps that what they are. They are abstract and vivid, like a dreamy manifestation of soul. This is the best way, in prose, one can describe the music which is … the poetry of Allison Grayhurst.” – Blaise Wigglesworth, “Oh! Magazine: Ryerson’s Arts and Culture Voice”.
“Grayhurst’s poetry is a translucent, ethereal dream in which words push through the fog, always searching, struggling, and reaching for the powerful soul at its heart. Her work is vibrant and shockingly original,” Beach Holme Publishers.
“Allison Grayhurst poetry has a tribal and timeless feeling, reminiscent of the Biblical commentary in Ecclesiastes,” Cristina Deptula, editor of Synchronized Chaos.
“Grayhurst is a great Canadian poet. All of Allison Grayhurst’s poetry is original, sometimes startling, and more often than not, powerful. Anyone who loves modern poetry that does not follow the common path will find Grayhurst complex, insightful, and as good a poet as anyone writing in the world today. Grayhurst’s poetry volumes are highly, highly recommended. For those adventurous enough to venture into a river wild, deep, calm, beautiful, shadowed, light, filled with moods and emotions of both an inner and the earth’s landscape, then this is a journey worth taking. It leads to experiences that have the texture and substance of life,” Tom Davis, poet, novelist and educator.
“Allison Grayhurst’s poetry is insightful, enwrapping, illuminating and brutally truthful. It probes the nature of the human spirit, relationships, spirituality and God. It is sung as the clearest song is sung within a cathedral by choir. It is whispered as faintly as a heartbroken goodbye. It is alive with the life of a thousand birds in flight within the first glint of morning sun. It is as solemn as the sad-sung ballad of a noble death.
“Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry,” Eric M. Vogt, poet and author.
“Allison Grayhurst is a poet whose work is characterized by startling imagery and uncompromising emotion, whose pieces have appeared in prestigious magazines. Lights, darks, colors, and passions intertwine throughout the pages of her work,” Louise E. Allin, Literature and Language.
“What a treasure Allison Grayhurst is. Her gift? To unfold for us life at this intensity of feeling and revelation. Who knew truth and beauty could be so intertwined and so passionate? Nothing is wishy-washy in the realm of Allison Grayhurst. Her work is sustaining, enriching, and deepening for the soul to read… a light of sanity in the world. As a poet, Allison Grayhurst is a lighthouse of intelligent indeed, intelligence rips through her work like white water,” Taylor Jane Green, BA, RIHR, CH, Registered Holistic Talk Therapist and author.
“Allison Grayhurst’s poetry appears visceral, not for the faint of heart, and moves forward with a dynamism, with a frenetic pulse. If you seek the truth, the physical blood and bones, then, by all means, open the world into which we were all born,” Anne Burke, poet, regional representative for Alberta on the League of Canadian Poets’ Council, and chair of the Feminist Caucus.
“Allison Grayhurst’s poetry has a richness of imagery and an intensity of emotion rare in contemporary poetry. Grayhurst’s voice is one to which we should continue to pay attention,” Maggie Helwig, author and poet.
“When I read Allison Grayhurst’s poetry, I am compelled by the intensity and strength of her spirituality. Her personal experience of God drives her poetry. With honesty and vulnerability, she fleshes out the profound mystery of knowing at once both the beauty and terror of God’s love, both freedom and obedience, deep joy and sorrow, both being deeply rooted in but also apart from the world, and lastly, both life and death. Her poems undulate through these paradoxes with much feeling and often leave me breathless, shaken. Allison Grayhurst’s poems are both beautiful and difficult to behold,” Anna Mark, poet and teacher.
“Allison Grayhurst’s poetry is a collection of vivid imagery and gripping enjambment that puts the reader in a spiralling world of despair. By using language to express the human conflicts of inner turmoil and the way in which our past burdens interact with the subconscious, the self and the world around us, Grayhurst sculpts poems that are revealing and confessional, as well as technically adept in their formatting and diction,” David Eatock, The Continuist.
“What can I say about Allison Grayhurst and her creativity that has not already been said…she is a prolific poet. Her poetry has touched my heart and soul,” Ann Johnson-Murphree, poet and author.
“I am very impressed with Allison Grayhurst’s poetry, it just oozes quality and in all ways gets my mind thinking. If you read poetry I highly recommend it, if you also write this is a great way to spend a couple of hours soaking in the quality and subject matters. The poems are spiritual and uplifting and I have never found any of her poems to be dull or depressing nor ever too hard to read. More life affirming each time I read one and I am always glad to have done so,” Bruce Ruston, poet, photographer, founding editor of The Poetry Jar.
“Biting into the clouds and bones of desire and devotion, love and grief, Allison Grayhurst basks the reader, with breathtaking eloquence, in an elixir of words. Like lace, the elegance is revealed by what isn’t said. This is stunning poetry,” Angela Hryniuk, poet.
“Rich images and complex, shifting metaphors drive Allison Grayhurst’s poems. She focuses on sexual love and interior landscapes, widening to include the heart, eternity and all.” Eric Folsom, editor of Next Exit.
“Grayhurst’s rapturous outpouring of imagery makes her poems easily enjoyable … Like a sear the poet seeks to fathom sensual and spiritual experience through the images of a dream,” Canadian Literature.
Allison Grayhurst is a full member of the League of Canadian Poets. Four of her poems were nominated for “Best of the Net” 2015/2018, and one eight-part story-poem was nominated For “Best of the Net” in 2017. She has more than 1375 poems published in over 525 international literary magazines, journals and anthologies in Canada, United States, England, India, Ireland, China, Scotland, Wales, Austria, Romania, New Zealand, Turkey, Zambia, Bangladesh, Colombia and Australia.
Recently, May 2020, her poems have been translated into Chinese and published in “Rendition of International Poetry Quarterly”, and “Poetry Hall”.
In 2018, her book Sight at Zero, was listed #34 on CBC’s “Your Ultimate Canadian Poetry List”.
Her book Somewhere Falling was published by Beach Holme Publishers, a Porcepic Book, in Vancouver in 1995. Since then she has published twenty-one other books of poetry and twelve collections with Edge Unlimited Publishing.
Prior to the publication of Somewhere Falling she had a poetry book published, Common Dream (1991), and four chapbooks, (Before the Dawn, Joshua’s Shoulder, Perfect Love, and Jumana), published by The Plowman, all in 1989.
Her poetry chapbook The River is Blind was published by Ottawa publisher above/ground press 2012. In 2014, her chapbook Surrogate Dharma was published by Kind of a Hurricane Press, Barometric Pressures Author Series.
In 2015, her book No Raft – No Ocean was published by Scars Publications. Also, her book Make the Wind was published in 2016 by Scars Publications. As well, her book Trial and Witness – selected poems, was published in 2016 by Creative Talents Unleashed (CTU Publishing Group). More recently, her book Tadpoles Find the Sun was published by Cyberwit, 2020. She is working on her next book Ways of Mercy, slated to be published 2021.
Some of places her work has appeared in include Parabola (Alone & Together print issue summer 2012); SUFI Journal (Featured Poet in Issue #95, Sacred Space); Elephant Journal; Literary Orphans; Blue Fifth Review; The American Aesthetic; Drunk Monkeys, Agave Magazine; JuxtaProse Literary Magazine, South Florida Arts Journal; Gris-Gris; New Binary Press Anthology; The Brooklyn Voice; Straylight Literary Magazine; The Milo Review; Foliate Oak Literary Magazine; The Antigonish Review; Dalhousie Review; Chicago Record Magazine; The New Quarterly; Wascana Review; Poetry Nottingham International; The Cape Rock; Ayris; Journal of Contemporary Anglo-Scandinavian Poetry (now called The Journal); Existere; The Toronto Quarterly; Fogged Clarity, Boston Poetry Magazine; Decanto; White Wall Review.
Over 1375 of Allison Grayhurst’s published poems are available to read on this website. All of these poems are accompanied by Allison Grayhurst’s audio reading of the poem. Links to each poem by title: https://allisongrayhurst.com/links-to-poems-by-title/
Almost all of Allison Grayhurst’s books are available for a free reading on Issuu and/or a PDF file link to download from the page on the main menu:
Allison Grayhurst’s completed published work prior to 2021 is available to read in seven volumes titled The Poetry of Allison Grayhurst – completed works from 1988 to 2017, all published in 2017 by Edge Unlimited Publishing, and The Poetry of Allison Grayhurst – completed works from 2018 to 2021, published in 2021 by Edge Unlimited Publishing. Selected poems from 1988 to 2017 are published in Sight at Zero (selected poems 1988 to 2017), Edge Unlimited Publishing, 2017.
“Allison Grayhurst’s poetry combines the depth and dark intensity of Sylvia Plath, the layered complex imagery of Dylan Thomas and the philosophical insights of Soren Kierkegaard, taking the reader on a fearless journey through the human condition, delving with honesty into death, grief, loss, faith, commitment, motherhood, and erotic love. Grayhurst intertwines a potent spirituality throughout her work so that each poem is not simply a statement or observation, but a revelation that demands the reader’s personal involvement. Grayhurst’s poetic genius is profound and evident. Her voice is uniquely authentic, undeniable in its dignified vulnerability as it is in its significance,” Kyp Harness, singer/songwriter, author of Wigford Rememberies and The Abandoned; https://kypharness.net/ https://en.wikipedia.org/wiki/Kyp_Harness
Allison Grayhurst also sculpts, working with clay and casting into concrete. Her sculpting body of work can be found in the published book The Sculptures of Allison Grayhurst, Edge Unlimited Publishing, 2017.
“Beautiful, soulful expressions of human and animal spirits – made by Allison Grayhurst’s hand – the heartfelt poetry of her soul showing up in the physical “flesh” of sculpture – the feeling and power of these beings translated through her finger tips,” Taylor Jane Green, BA, RIHR, CH, Registered Holistic Talk Therapist and author.
“Beautiful and interesting sculptures,” Antonio Occulto, painter and sculptor.
“I can see Allison Grayhurst’s passion for her work in these. Very expressive faces,” James Brandon O’Shea, photographer.
“This is an incredible collection of Art,” Bruce Ruston, poet, photographer, founding editor of The Poetry Jar.
Collaborating with Allison Grayhurst on the lyrics, Vancouver-based singer/songwriter/musician Diane Barbarash transformed eight of Allison Grayhurst’s poems into songs, creating a full album entitled River – Songs from the poetry of Allison Grayhurst, released 2017.
Amazon Author Page: amazon.com/author/allisongrayhurst
UK Amazon Author Page: http://www.amazon.co.uk/-/e/B001KIWQUS
The League of Canadian Poets: https://leagueofcanadianpoets.wildapricot.org/Sys/PublicProfile/41491211/4321598
Goodreads Author: http://www.goodreads.com/author/show/1937690.Allison_Grayhurst