An Interview with The Muse (An International Journal of Poetry) December 2013

The Muse

(An International Journal of Poetry)

ISSN 2249 –2178

 

Volume-3                               DECEMBER -2013                                    Number-2

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An E-Interview with Allison Grayhurst

Interviewed by Dr. Pradeep Chaswal

(Allison Grayhurst  has had over 280 poems published in more than 165 international journals, magazines, and anthologies. Her book Somewhere Falling was published by Beach Holme Publishers, a Porcepic Book, in Vancouver in 1995. Since then she has published ten other books of poetry and four collections with Edge Unlimited Publishing. Prior to the publication of Somewhere Falling she had a poetry book published, Common Dream, and four chapbooks published by The Plowman.  Her poetry chapbook The River is Blind was recently published by Ottawa publisher above/ground press December 2012. She lives in Toronto with family. She also sculpts, working with clay.)

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Dr. Pradeep Chaswal:

At which age did you write your first poem? Were there any incidents in your life that made you want to write?

Allison Grayhurst: 

I wrote my first poem at the age of 13 for a poetry assignment in school. For several years before that, I wrote many short stories for school and for my own pleasure. For most of my high school years, I paid very little attention in class and occupied myself with writing poetry – not completed poems, but poetic lines, exploring words, ideas and rhythms.

I actually never wanted to be a writer. Both my parents were journalists, and my father also wrote fiction. Seeing my father’s own struggle, I never wanted to pursue that path. Least of all, did I ever want to be a poet. But I think most artists understand that being an artist is never a choice, only a necessity.

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Dr. Pradeep Chaswal:

How would you define the creative and poetic process in you?

Allison Grayhurst: 

My creative process has morphed many times over during my years of writing poetry. Most recently, my journey has led me to consciously prevent myself from creating any confines to my work – by keeping myself raw (both emotionally and spiritually) while writing, without allowing any pre-conceived ideas determine where the poem is going or what it has to say or why it exists.

I write when I am walking my dog. We stop together; look at trees, the sidewalk, the sky, squirrels, people, many birds. When walking I surround myself with what my imagination reveals, and my dog keeps me grounded. This is what feeds me for now. I just finished a 12 page long poem called Walkways. Where I am going as a poet next, I really don’t know.

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Dr. Pradeep Chaswal:

According to you what is the role and responsibility of a poet in the present day world?

Allison Grayhurst: 

Honestly, I can’t say. I read so very few poets that truly move me, but when they do, it dissolves the senselessness of this world for me, and that is everything. I think that’s what a true poet or artist is supposed to do, if only briefly, but enough to recharge a person’s spirit.

In terms of responsibility, I think a poet’s only responsibility to stay true to herself or himself, even if that means writing something that has no set place in world, or if it means never writing another poem again.

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Dr. Pradeep Chaswal:

What are your views on the contemporary scenario of poetry in English?

Allison Grayhurst: 

Not good. Most poetry I see out there is very badly written, from a literary point of view, though it often has heart. On the other side of the spectrum, there are many very well-crafted and clever poems I see that receive the recognition of greatness, but to me, more than not, they lack heart or vision. Such poems used to intimate me when I was younger. Now I can barely get through them. But I think that is the case with poetry as it is with all other art forms – it is a rare joy when a work of art or poem is able to surprise with its magnificence.
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Dr. Pradeep Chaswal:

Would you please throw light on your latest book of poetry?

Allison Grayhurst: 

My last published poetry book is called Wallpaper Stars. It is more abstract than what I have written before, but I believe it is also richer, denser with imagery and revelations. It is a reflection of my own maturing as a poet.
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Dr. Pradeep Chaswal:

What is your advice for the young poets?

Allison Grayhurst: 

Write only if and when you have to. It has to be like eating or sleeping – something that must be done even if you wish you could avoid it.

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Dr. Pradeep Chaswal:

Would you share with our readers any memorable events in your poetic career?

Allison Grayhurst: 

In 1995, I got my first poetry book published by a respectable publisher. The day I received the acceptance was one I won’t forget. Also, getting a poem published in 2012 in the well-known New York-based Parabola magazine was also a highlight.

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I stopped publishing my work for fifteen years, never sure if I would try again, although through those years I kept writing nearly every day. It was difficult and insulating. At the end of that career sabbatical, in 2012 it was very rewarding to be able to put out nine of my books – all written during that 15-year time period – the way I envisioned them through those years, even with pictures of my sculptures on the front covers.
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Dr. Pradeep Chaswal:

What message do you wish to give our readers and poetry lovers?

Allison Grayhurst: 

Thank you for reading poetry. I am actually surprised by how many people do. It is wonderful to know that poetry still retains some place and significance in the world. So again, thank you. 

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This interview first appeared in “The Muse (An International Journal of Poetry)” © December 2013

http://themuse.webs.com/dec%202013/allison%20grayhust%20interview.htm

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Open Book Toronto Interview for new Chapbook

 

POETS IN PROFILE: ALLISON GRAYHURST

Submitted by Grace on December 14, 2012 – 12:53pm

Allison Grayhurst

Allison Grayhurst is the author of The River is Blind, a chapbook of poetry from innovative Ottawa publisher above/ground press.

Today Allison speaks to Open Book about the Rilke poem that had a huge impact on her, the value of trees for writers and the best part of being a poet.

Find out what inspires, confounds and delights today’s Canadian poets by following our Poets in Profile series.

Open Book:

Can you describe an experience that you believe contributed to your becoming a poet?

Allison Grayhurst:

Three things. First, was my father reading Shakespeare’s poetry and other poetry at the dinner table in his powerful and dramatic voice. Second, was moving around a lot as a child. It was difficult to form friendships, so I had to rely on my imagination for comfort. The third experience was pivotal in accepting myself as a poet. I was living in Montreal and working at a centre that helped injured birds of prey. There I was offered the opportunity to travel and work with wildlife, which was always my childhood dream. It was in receiving my dream which made me realize it was not what I was meant to do or who I was meant to be. It was then that I reluctantly accepted myself as a poet.

OB:

What is the first poem you remember being affected by?

AG:

“There Is No Oblivion” by Pablo Neruda”. In fact finding his book Residence on Earth was like a homecoming to me. It was the first time I understood the value of poetry, that poetry could be significant. I had been inspired by many writers before, but never by a poet, until reading Neruda.

OB:

What one poem — from any time period — do you wish you had been the one to write?

AG:

I have never felt that I wished I wrote something. But reading Rainer Maria Rilke’s “Duino Elegies” was the poem that resonated, and still does, the most for me. Reading it fills me the strongest with my own voice — which I think all great art and true inspiration, should do.

OB:

What has been your most unlikely source of inspiration?

AG:

Trees. Walking the streets looking at trees, their bark — sometimes touching it, and their many shapes, towering or small. I encounter them individually, no one tree is the same, and they are not always peaceful.

OB:

What do you do when a poem is not working?

AG:

I throw it out. If the essence, the innate movement isn’t in the poem, I trash it. If it is there, but one or two lines don’t work, I sit with it, walk with it, trusting that the right line or word is already there and I just have to find it.

OB:

What was the last book of poetry that really knocked your socks off?

AG:

To be honest I can’t think of one. Books/poets who have knocked my socks off other than the ones I’ve mentioned are Elizabeth Barrett Browning, Sylvia Plath, Dylan Thomas and Theodore Roethke… loving “The Meadow Mouse” as one of my favourite poems. Recently I read Mark Strand and was inspired by the authenticity and spiritual force of his work.

OB:

What is the best thing about being a poet….and what is the worst?

AG:

The best thing about being a poet is the lead up just before the poem arrives; it builds, until it becomes a necessary expression. Then seeing it in images, hearing it in words and rhythm, writing it — that is wonderful. It is where I am the most open, the closest I’ll ever be to God. The worst part of being a poet is everything else.

Allison Grayhurst has had her poetry published in over 115 literary magazines in Canada, the U.S., England, India and Australia. Her book, Somewhere Falling, was published by Beach Holme Publishers, a Porcepic Book. She lives in Toronto, Canada with her husband, two children, two cats and a dog. She also sculpts, working in clay.

For more information about The River is Blind please visit theabove/ground website.

Buy this chapbook from above/ground online via paypal atwww.robmclennan.blogspot.com or via postal mail by sending a cheque for $4.00 (add $1.00 for postage; outside Canada, add $2.00) to: rob mclennan, 402 McLeod St #3, Ottawa ON K2P 1A6.

Check out all the Poets in Profile interviews in our archives.

 

Link to the interview below:

http://www.openbooktoronto.com/news/poets_profile_allison_grayhurst