Our Light Cannot Always Burn Whole

.

Our Light Cannot Always Burn Whole

 .

    Nests that stay through winter

are similar to us at times – left abandoned

on high barren branches,

valueless until spring – if ever, even then, reclaimed.

    We jog through bitter uneatable harvests, absorbing

disappointments as our only viable feast,

not heeding our self-honouring needs,

too proud to address imagined or deliberate injuries.

    Jackets buttoned to the neck,

we move in these sewer shafts,

trying to shake the foaming stench off

of each other’s tailored attire.

    On our bed, we are broken, letting our arms rest

like a Spanish squid’s tentacles would rest,

pulled from pulsing waters. Our mouths

primed for confession,

our eyes scanning features – short hair, skin under the eyes,

familiar necklines.

    We tell each other these things are worth

the horror of abominations

accepted as societal norms, atrocities justified

as a soldier’s directed bullet.

    Here in a shut-in space, we can lock,

shed faculties of crusted reason,

create a colourful spread of sensuality, messaging

our blood vessels with deep oxygen, curing, learning

to make saliva and swallow.

    We tell ourselves sometimes we wish

we could be like those who live

never knowing an intimate tender beauty,

like those who get shipwrecked,

daily hunted by a cancerous loneliness.

    At times we wish this love didn’t exist,

then we could give in to what lies beyond

the cliff, defend our exit, salt the Earth

with a dramatic departure.

    Those times, we hear a desolate chorus rising

and we vanish completely into its volcanic siren wind.

    Other times, we talk. We watch squirrels dance across

our backyard trees, make tea, passing domestic glances,

gladly sharing the last spoonful

of bottled honey.

.

.

Copyright © 2011 by Allison Grayhurst

3021

img061

amazon.com/author/allisongrayhurst

Surrogate Dharma chapbook 1

http://barometricpressures.blogspot.ca/2014/10/surrogate-dharma-allision-grayhurst.html?spref=fb

https://drive.google.com/file/d/0B-DuKJaq66ClMlFIWWU5cTY2RTQ/view

.

First published in “The Muse – An International Journal of Poetry” Volume 3, Issue 1

The Muse 14

img370img384img371img372img373img374img382img383The Muse 11The Muse 1The Muse 15The Muse 2The Muse 3

http://www.amazon.com/The-Muse-International-Journal-Poetry/dp/1493720023/ref=sr_1_6?ie=UTF8&qid=1385470623&sr=8-6&keywords=an+international+journal+of+poetry

http://themuse.webs.com/June%202013/Allison%20Grayhurst.htm

.

You can listen to the poem by clicking below:

.

“Allison Grayhurst intertwines a potent spirituality throughout her work so that each poem is not simply a statement or observation, but a revelation that demands the reader’s personal involvement. Grayhurst’s poetic genius is profound and evident. Her voice is uniquely authentic, undeniable in its dignified vulnerability as it is in its significance,” Kyp Harness, singer/songwriter, author.

“Allison Grayhurst’s poems are like cathedrals witnessing and articulating in unflinching graphic detail the gritty angst and grief of life, while taking it to rare clarity, calm and comfort. Grayhurst’s work is haunting, majestic and cleansing, often leaving one breathless in the wake of its intelligence, hope, faith and love amidst the muck of life. Many of Allison Grayhurst’s poems are simply masterpieces. Grayhurst’s poetry is a lighthouse of intelligent honour… indeed, intelligence rips through her work like white water,” Taylor Jane Green, Registered Spiritual Psychotherapist and author.

.

Book reviews of the River is Blind paperback:

“Throughout (The River is Blind), she (Allison Grayhurst) employs 
reiterated tropes of swallowing and being consumed, spatial fullness 
and emptiness, shut- in, caverns, chasms, cavities; angels, archangels, 
blasphemy, psalms; satiation or starved. With a conceit of unrequited sex as “my desire”, nocturnal emissions, awakening in the morning, the poet lives at capacity, uninhibited, dancing,” Anne Burke, poet, regional representative for Alberta on the League of Canadian Poets’ Council, and chair of the Feminist Caucus.

.

“Allison’s poetic prose is insightful, enwrapping, illuminating and brutally truthful. It probes the nature of the human spirit, relationships, spirituality and God. It is sung as the clearest song is sung within a cathedral by choir. It is whispered as faintly as a heartbroken goodbye. It is alive with the life of a thousand birds in flight within the first glint of morning sun. It is as solemn as the sad-sung ballad of a noble death. Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry. THE RIVER IS BLIND is a must-read,”  Eric M. Vogt, poet and author.

.

 

It starts

.

It starts

 .

    like precipitation, infusing

iron seeds that rest atop the ozone-dome

and flourish. Somehow I am coming to terms with

churches I will never go back to, and last-year’s friends

who own creative nobility but fail to nourish.

    It is starting, culminating like a blood clot,

anchoring me to my drive, wringing out my squishy insides

until they are parched, until the robin’s song

registers austere.

    Escape happens in the morning,

wading through yesterday’s debris,

fascinated by scars and euphoria that comes

opening airways.

    Can I conceive of a crime that will not haunt?

There are rules to follow, bones that fit into sockets,

sacred formations that must not be tampered with,

and speeches spoken, brave enough to own on paper.

    Biting is war; be it biting on silver,

gently marking areolas, or lacerating wet teabags.

I forfeited what I thought was a shield, sure it was

more than only emptiness swelling. It was

a birthmark, nihilism reclining over my pre-destined zenith.

    There are things that start then overtake.

They emerge pure as children,

touch ground and vaporize. August is hard.

In that critical heat, everything that wavers between worlds

gets erased – splits up into two categories

of corpses and lifeforms that take celestial flight – ends up

where water sinks or where water concentrates,

either way, falls

but does not flow.

.

.

Copyright © 2011 by Allison Grayhurst

3021

amazon.com/author/allisongrayhurst

Surrogate Dharma chapbook 1

http://barometricpressures.blogspot.ca/2014/10/surrogate-dharma-allision-grayhurst.html?spref=fb

https://drive.google.com/file/d/0B-DuKJaq66ClMlFIWWU5cTY2RTQ/view

.

First published in “The Muse (An International Journal of Poetry)”

img370img384img371img372img375img376img382img383The Muse 1The Muse 15The Muse 4The Muse 5

http://www.amazon.com/The-Muse-International-Journal-Poetry/dp/1493720023/ref=sr_1_6?ie=UTF8&qid=1385470623&sr=8-6&keywords=an+international+journal+of+poetry

http://themuse.webs.com/June%202013/Allison%20Grayhurst.htm

.

You can listen to the poem by clicking below:

 

 

.

“Allison Grayhurst intertwines a potent spirituality throughout her work so that each poem is not simply a statement or observation, but a revelation that demands the reader’s personal involvement. Grayhurst’s poetic genius is profound and evident. Her voice is uniquely authentic, undeniable in its dignified vulnerability as it is in its significance,” Kyp Harness, singer/songwriter, author.

“Allison Grayhurst’s poems are like cathedrals witnessing and articulating in unflinching graphic detail the gritty angst and grief of life, while taking it to rare clarity, calm and comfort. Grayhurst’s work is haunting, majestic and cleansing, often leaving one breathless in the wake of its intelligence, hope, faith and love amidst the muck of life. Many of Allison Grayhurst’s poems are simply masterpieces. Grayhurst’s poetry is a lighthouse of intelligent honour… indeed, intelligence rips through her work like white water,” Taylor Jane Green, Registered Spiritual Psychotherapist and author.

.

Book reviews of the River is Blind paperback:

“Throughout (The River is Blind), she (Allison Grayhurst) employs 
reiterated tropes of swallowing and being consumed, spatial fullness 
and emptiness, shut- in, caverns, chasms, cavities; angels, archangels, 
blasphemy, psalms; satiation or starved. With a conceit of unrequited sex as “my desire”, nocturnal emissions, awakening in the morning, the poet lives at capacity, uninhibited, dancing,” Anne Burke, poet, regional representative for Alberta on the League of Canadian Poets’ Council, and chair of the Feminist Caucus.

.

“Allison’s poetic prose is insightful, enwrapping, illuminating and brutally truthful. It probes the nature of the human spirit, relationships, spirituality and God. It is sung as the clearest song is sung within a cathedral by choir. It is whispered as faintly as a heartbroken goodbye. It is alive with the life of a thousand birds in flight within the first glint of morning sun. It is as solemn as the sad-sung ballad of a noble death. Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry. THE RIVER IS BLIND is a must-read,”  Eric M. Vogt, poet and author.

.

.

Do not define me

.

Do not define me

 .

Do not define me

as a woman, or a wheel

of rolling curves, with lipstick

in my pocket and perfect polish on my shoes.

I am not interested in shoes.

I carry this body with two breasts

and I have born and raised children

like a sacred treaty between the unmarked countries

of time and infinity. I have loved with two arms,

lived with thoughts of Schopenhauer in my sleep

and nurtured the orphan pup. Do not define me –

my sexuality is not confined to the tender receiving sigh,

not to the congregation of gossip and giggles

and the making of apple strudel. I do not knit,

though I bow to the knitters

more than I do to the intellectuals, and gossip bores me.

Talking bores me unless it is about God or the many ways

we are given to love – children, animals, art.

(Lover’s love I only speak about in poetry, because that is

private). Do not define me. I would love to be

straight lines, proudly hanging, perfectly clear.

I would like to be brutal. Women can be brutal,

can be like a smile –

gloriously giving, razor sharp, androgynously

beautiful.

.

.

Copyright © 2011 by Allison Grayhurst

3021

amazon.com/author/allisongrayhurst

Surrogate Dharma chapbook 1

http://barometricpressures.blogspot.ca/2014/10/surrogate-dharma-allision-grayhurst.html?spref=fb

https://drive.google.com/file/d/0B-DuKJaq66ClMlFIWWU5cTY2RTQ/view

.

First published in “Blue Lake Review”

Blue Lake Review 1Blue Lake Review 2Blue Lake Review 3

http://bluelakereview.weebly.com/do-not-define-me.html

.

You can listen to the poem by clicking below:

.

“Allison Grayhurst intertwines a potent spirituality throughout her work so that each poem is not simply a statement or observation, but a revelation that demands the reader’s personal involvement. Grayhurst’s poetic genius is profound and evident. Her voice is uniquely authentic, undeniable in its dignified vulnerability as it is in its significance,” Kyp Harness, singer/songwriter, author.

“Allison Grayhurst’s poems are like cathedrals witnessing and articulating in unflinching graphic detail the gritty angst and grief of life, while taking it to rare clarity, calm and comfort. Grayhurst’s work is haunting, majestic and cleansing, often leaving one breathless in the wake of its intelligence, hope, faith and love amidst the muck of life. Many of Allison Grayhurst’s poems are simply masterpieces. Grayhurst’s poetry is a lighthouse of intelligent honour… indeed, intelligence rips through her work like white water,” Taylor Jane Green, Registered Spiritual Psychotherapist and author.

.

Book reviews of the River is Blind paperback:

“Throughout (The River is Blind), she (Allison Grayhurst) employs 
reiterated tropes of swallowing and being consumed, spatial fullness 
and emptiness, shut- in, caverns, chasms, cavities; angels, archangels, 
blasphemy, psalms; satiation or starved. With a conceit of unrequited sex as “my desire”, nocturnal emissions, awakening in the morning, the poet lives at capacity, uninhibited, dancing,” Anne Burke, poet, regional representative for Alberta on the League of Canadian Poets’ Council, and chair of the Feminist Caucus.

.

“Allison’s poetic prose is insightful, enwrapping, illuminating and brutally truthful. It probes the nature of the human spirit, relationships, spirituality and God. It is sung as the clearest song is sung within a cathedral by choir. It is whispered as faintly as a heartbroken goodbye. It is alive with the life of a thousand birds in flight within the first glint of morning sun. It is as solemn as the sad-sung ballad of a noble death. Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry. THE RIVER IS BLIND is a must-read,”  Eric M. Vogt, poet and author.

.

.