Blown

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Blown

Blown like a grain of sand from a hollow twig.

It is beautiful to be blown.

Blown, into the winding forward thrust

where good happens with the movement

of each day and the fire-cracker burn

is a burn of celebration.

Carried through the radar-stream

into an easeful position where

the goal is getting nearer at a slow pace

and old patterns are disintegrating,

remembered but not renewed.

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Copyright © 2006 by Allison Grayhurst

3010

Review of poetry chapbook "The River is Blind"

BookCoverImage Allison GrayhurstTrial and Witness back cover final

amazon.com/author/allisongrayhurst

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First published in “Dead Snakes”

Dead Snakes 1Dead Snakes 2Dead Snakes 3

http://deadsnakes.blogspot.ca/2013/01/allison-grayhurst-three-poems.html

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You can listen to the poem by clicking below:

https://allisongrayhurst.files.wordpress.com/2011/09/blown.m4a

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“Allison Grayhurst intertwines a potent spirituality throughout her work so that each poem is not simply a statement or observation, but a revelation that demands the reader’s personal involvement. Grayhurst’s poetic genius is profound and evident. Her voice is uniquely authentic, undeniable in its dignified vulnerability as it is in its significance,” Kyp Harness, singer/songwriter, author.

“Allison Grayhurst’s poems are like cathedrals witnessing and articulating in unflinching graphic detail the gritty angst and grief of life, while taking it to rare clarity, calm and comfort. Grayhurst’s work is haunting, majestic and cleansing, often leaving one breathless in the wake of its intelligence, hope, faith and love amidst the muck of life. Many of Allison Grayhurst’s poems are simply masterpieces. Grayhurst’s poetry is a lighthouse of intelligent honour… indeed, intelligence rips through her work like white water,” Taylor Jane Green, Registered Spiritual Psychotherapist and author.

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The River is Blind chapbook review:

“An existential curiosity courses through Allison Grayhurst’s latest collection. It’s Grayhurst’s physical constraints that comfort us: a box sitting at the top of the stairs, housecats in states of wakefulness and sleep, the “snails and moss” that preoccupy her. Indeed, The River Is Blind situates itself firmly in the familial but imbues those relationships and domestic touchstones with a disembodied calm. Ambition and disenchantment linger along the fences of Grayhurst’s property but she remains candidly in the present.

“In lesser hands, muses such as these might’ve resulted in verses of weak-kneed contentedness. But Grayhurst’s voice remains one of detachment, webbing daily pleasures into greater meditations on love and God. Through spiritual lens, poems like “Everything Happens” and “Flies” counteract steadfast faith with insights on the material world, a separate world; a place where people grind flowers for honey,” Ryan Pratt, Ottawa Poetry Newsletter, January 30, 2013

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3 responses to “Blown

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