Grace mightier than Natural Law


Grace mightier than Natural Law


What if eternity was marked in a mirror,

and we lived there like animated ornaments,

reproducing each dot of matter as reflection?

Especially love

drilled into the furrows of fear, or love

withstanding betrayal by latching firmly to devotion?

    What if what we perceived as solid is itself artificial

and that true existence is elsewhere, is a multi-layered

holographic construction coating our reality?

As if death was the overture of our lives,

rooted in continuance and

not defeat.

    At times I can taste myself slipping

into the tip of a Cathedral ceiling.

Weapons I cannot use become suggestions,

impractical solutions, there to

analyze other highways not meant to cross.

Highways bearing bright moonlight

on their surfaces, like correspondences looked at

but never read.

    At times my singing is subdued,

and I discover these highways I am not welcome on,

find myself disassociated from their flat hum, from their

pavement platform and worn-over buckling curves.

Memories are funerals – the hours we spend

traveling their domains.

I spend my time studying trees. Some trees are not beautiful,

but are depressed growths, even in their grandeur.

When flushed with foliage or sparse, these trees

emanate an aura of monotony. Like looking through

dirty glass windows, watching

pointing fingers, listening

to a zoo of indistinct, inescapable sounds,

they have been drained of vitality.

    Ballooned and warm, I am transformed

by the pressure to create symbols to improve

an already great equation.

In this way, I hear a toddler cry, and I think

it is impossible to grow up

and not carry as core the experiences

of kindnesses given and kindnesses withheld:

For we all know it is soothing to be tended to,

to have someone wash our hair.

    So what then if there is always a camera

taking pictures? Then it must be important

to be frank in spite of showing rough edges

that spark criticism, disappointment, or a full-body

malaise. It must be important not to falsify speech,

to be able to disregard

pleasantries or other forms of stroking public appeal.

    What if I closed the door, turned on the fan, turned on

the light, would I learn to swing or be a domino, a causality?

    Principals move like wolves commandeering prey

or like a dozen eggs dropped – their effect built on a single

gravitational happenstance.

What if we are marked, already surviving forever –

each exacting

fraction of ourselves duplicated?

    God must muse through such thorough descriptions

of our lives, an overseer of our personalized library,

defeating what seems irreversible

with forgiveness, erasing without remnant

the imprint and impact of things wrongly given, taken, or

left to starve.



Copyright © 2012 by Allison Grayhurst



BookCoverImage Allison GrayhurstTrial and Witness print back cover



First published in “Indiana Voice Journal, Isuue 15” October 2015

Indiana Voice Journal October 1 Indiana Voice Journal October 2 Indiana Voice Journal October 3Indiana Voice Journal October Grace Mightier 1 Indiana Voice Journal October Grace Mightier 2 Indiana Voice Journal October Grace Mightier 3


Published in “Viral Cat” Fall 2015

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You can listen to the poem by clicking below:


“Allison Grayhurst intertwines a potent spirituality throughout her work so that each poem is not simply a statement or observation, but a revelation that demands the reader’s personal involvement. Grayhurst’s poetic genius is profound and evident. Her voice is uniquely authentic, undeniable in its dignified vulnerability as it is in its significance,” Kyp Harness, singer/songwriter, author.

“Allison Grayhurst’s poems are like cathedrals witnessing and articulating in unflinching graphic detail the gritty angst and grief of life, while taking it to rare clarity, calm and comfort. Grayhurst’s work is haunting, majestic and cleansing, often leaving one breathless in the wake of its intelligence, hope, faith and love amidst the muck of life. Many of Allison Grayhurst’s poems are simply masterpieces. Grayhurst’s poetry is a lighthouse of intelligent honour… indeed, intelligence rips through her work like white water,” Taylor Jane Green, Registered Spiritual Psychotherapist and author.


Book reviews of the River is Blind paperback:

“Throughout (The River is Blind), she (Allison Grayhurst) employs 
reiterated tropes of swallowing and being consumed, spatial fullness 
and emptiness, shut- in, caverns, chasms, cavities; angels, archangels, 
blasphemy, psalms; satiation or starved. With a conceit of unrequited sex as “my desire”, nocturnal emissions, awakening in the morning, the poet lives at capacity, uninhibited, dancing,” Anne Burke, poet, regional representative for Alberta on the League of Canadian Poets’ Council, and chair of the Feminist Caucus.


“Allison’s poetic prose is insightful, enwrapping, illuminating and brutally truthful. It probes the nature of the human spirit, relationships, spirituality and God. It is sung as the clearest song is sung within a cathedral by choir. It is whispered as faintly as a heartbroken goodbye. It is alive with the life of a thousand birds in flight within the first glint of morning sun. It is as solemn as the sad-sung ballad of a noble death. Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry. THE RIVER IS BLIND is a must-read,”  Eric M. Vogt, poet and author.



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